Apollo Lee 52 Tracks in 52 Weeks

Kestrel

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Title: Apollo Lee – Kestrel
Date: September 18, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 8:18 @ 40 bpm

What I Like About It

  1. The harmony is really strange — a foundation of a c°7 (C diminished 7) chord, with major seventh chords on each. Thus: CM7, EbM7, GbM7, AM7 (BbbM7, technically). This lends itself to some haunting dissonances and open consonances.
  2. Bouncing this track to MP3 at 192 kbps VBR (high quality) seems to eliminate a few issues with phase distortion and other artifacts of low resolution MP3 compression.
  3. There’s a good diversity between highs and lows, which gives the piece depth.
  4. I managed to equalize out most of the buzz and add a touch of reverb and flange.

What I Don’t Like About It

  1. I’ve probably used this patch too much.
  2. In a few places, the highs are just a notch too piercing.
  3. We’re still using one instrument and no form.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Jasper

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Title: Apollo Lee – Jasper
Date: August 13, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 9:18 @ 40 bpm

What I Like About It

  1. The instrument takes some acclimatization, but I like it after a few listens.
  2. Transitions are, for the most part, smooth and not distracting.
  3. The harmony (Am7, Gm7, Fm7, Em7) is strange, but leads to some good dissonances and spaced out consonances.
  4. The mix down sounds pretty good, with no glaring distortion or buzz .

What I Don’t Like About It

  1. While there are some bottomless bass notes in the sixteen selected notes, I didn’t use them as much as I could have.
  2. Some of the chords are a little thick and some of the transitions feel muddy.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Ionosphere

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Title: Apollo Lee – Ionosphere
Date: July 29, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 8:18 @ 40 bpm

What I Like About It

  1. The harmony (Em7, Dm7, Cm7, Bm7) is unusual and lends to some interesting note combinations and dissonances.
  2. The instrument has a pad and an organ in it with interesting harmonics that make it sound otherworldly.

What I Don’t Like About It

  1. The mix is really loud.
  2. The note diversity is fairly low. I seem to always have almost all of my notes in the bass clef.
  3. There’s still a little phase distortion that slipped through the mix.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Hamilton

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Title: Apollo Lee – Hamilton
Date: July 24, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 8:48 @ 40 bpm

What I Like About It

  1. The instrument takes a while to float to the note. The way it builds up is gorgeous. It’s also a quiet instrument with overtones that move.
  2. The base harmony is C# minor Rhythm changes. The piece seems to float for a while around flavors of G# and then A, but soars around the tensions gracefully.
  3. The bass notes are big and deep, but don’t wash out the highs of the rest of the notes.
  4. At first, I set the treble harmonies in the octave just below middle C. Just before I recorded this, I tried positioning the non-bass notes an octave higher. That stretched out the piece and helps it to glide.

What I Don’t Like About It

  1. I had to compress the piece to get the volume up without distorting it. I think it may be a bit too quiet, even still.
  2. The transition of the final cadence throws the ear a little bit. I was aiming for a perfect authentic cadence (G#7 -< C#m7). I came close, but maybe it should just have been C#m with a C# on top (instead of B, which is the b7).
  3. There’s almost enough dissonance/consonance contrast, but not quite.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Garnet

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Title: Apollo Lee – Garnet
Date: July 17, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 7:42 @ 40 bpm

What I Like About It

  1. The instrument is beautiful. I’ve used it before and I’ll probably use it again.
  2. The harmony is D minor Rhythm Changes. It lets me get creative with dissonance and consonance. Since all the notes are in one scale (except the C# in A7), it’s easy to resolve chords in expected and unexpected ways.
  3. I managed to process most of the distortion out..

What I Don’t Like About It

  1. We keep gravitating toward Bb, for some reason. Everywhere I turned, I was on a Bb chord.
  2. The final chord fades well, but there’s a cut off that’s noticeable.
  3. I’d really like to have a greater note diversity in the future — this one is entirely in the bass clef, hovering around middle C and lower.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Fundament

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Title: Apollo Lee – Fundament
Date: July 10, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 9:24 @ 40 bpm

What I Like About It

  1. The instrument is an interesting blend of an organ and bells. I’ve used it before. I really like it.
  2. The harmonic structure is something new, ascending major seventh chords up the circle of fifths (CM7, GM7, DM7, AM7).
  3. I equalized almost all the distortion out of this piece.

What I Don’t Like About It

  1. The harmony doesn’t lend to very many moments of real tension. It just seems to float continuously on a major seventh chord.
  2. Despite having profound low notes, they are nearly inaudible. I really need to emphasize note diversity more next time.
  3. The mix is too loud, so watch your head.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Erebus

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Title: Apollo Lee – Erebus
Date: July 08, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 8:18 @ 40 bpm

What I Like About It

  1. My harmony was rhythm changes in A major, a harmonic structure that lends to interesting note transitions.
  2. This instrument with its phaser effects and rich overtone series is luscious. I love it.
  3. I compressed this piece well and it sounds good even on low-quality headphones.
  4. The low notes in the cellar give an vast depth to the music.

What I Don’t Like About It

  1. The modulator effect was clunky and sounded like an error (so I deleted the controller mod effect).
  2. I could have used more color tones for a more dissonant and interesting harmony.
  3. I’ve already done about a million of these in major rhythm changes.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Defiance

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Title: Apollo Lee – Defiance
Date: June 30, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 9:24 @ 40 bpm

What I Like About It

  1. My chord progression was Gm7, Eb6/9, Fm7, C7. It contributed interesting consonance and beautiful dissonances.
  2. I limited my use of too much processing.
  3. Note diversity is good, with plenty of lows balanced by some highs and the overtones.
  4. I love the drifting aftertouch effect of this instrument.
  5. The distortion is gone without the piece being too quiet.

What I Don’t Like About It

  1. Some of the transitions at the beginning are not smooth enough.
  2. I should have used the modulation effect. The overtone series it creates would have complemented this piece well.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Callisto

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Title: Apollo Lee – Callisto
Date: June 20, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 8:36 @ 40 bpm

What I Like About It

  1. I used a I vi ii V Rhythm changes progression in E (EM7, C#m7, F#m7, B7), which lent a gorgeous ethereal quality.
  2. After a couple of false starts with other pads, this one grabbed me. I’ve used it in other pieces.
  3. I toned down my use of the Microphaser and the GoldReverb.
  4. Midranges don’t have much distortion and none of the transitions are overwhelming.
  5. The floating feel of this piece—the airy highs and the bottomless bass—makes this fade into the background, unless you want to pay attention to it.

What I Don’t Like About It

  1. Maybe -4.1 on the channel mixer was a little much. This particular bounce is a little too quiet. It’s hard to hear it unless the volume is cranked.
  2. There’s still some distortion in the low end on my iPod headphones.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

Bitterroot

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Title: Apollo Lee – Bitterroot
Date: June 18, 2008
Software: Logic Pro 8
Genre: Ambient
Timing: 7:54 @ 40 bpm

What I Like About It

  1. The structure of the harmony is descending minor seventh chords until the dominant seventh chord (Bm7, Am7, G#m7, F#7). It lends some very interesting harmonic textures.
  2. The instrument is beautiful and I’ve used it a few times before.
  3. The Microphaser I use throughout gives a strange floating back and forth like a snow flurry in the mountains of Northern Idaho.
  4. I successfully equalized the distortion out, mellowed the sound out a little bit, and gave it a little more reverb.
  5. The modulation effect on this instrument is very evocative.
  6. The diversity of notes is good, especially on the low end. The big bass notes give a feeling of vast scale.

What I Don’t Like About It

  1. This drifts aimlessly with no real sense of direction or form.
  2. Some of the consonant chords hold a little too long.
  3. The Microphase had too fast a cycle time.
  4. The modulation effect wasn’t used in a very interesting way and its appearance was too sporadic.

Note: These are rough drafts. Constructive criticism is welcomed, of course.

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